Dune was written by Frank Herbert, and was published in 1965. Here is an excerpt.

In the week before their departure to Arrakis, when all the final scurrying about had reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul. It was a warm night at Castle Caladan, and the ancient pile of stone that had served the Atreides family as home for twenty-six generations bore that cooled-sweat feeling it acquired before a change in the weather.

Do you like science fiction? Well I remember watching Dune on TV before reading the book hehehe!. Can you recognize Sting?

Bukowski amazes me every time I read and reread any of his books. He makes the ordinary look extraordinary, or has it always been that way?. His writing is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. Try reading Pulp, to star with.

 luck from a kitchen

what matters is still being here in
this kitchen with my small radio, this
rolled cigarette and
with a two-foot stack of fresh blue
laundry.
I’m sure I’ve sprayed
the last of the roaches and
what matters is that this tabletop
is littered with new poems.
two drunks fight in the apartment
to the rear, the cats walk
up and down the courtyard
and around the corner
girls sit in massage parlor
doorways
dreaming of love.

The Call of Cthulhu, performed by Metallica!.....awesome !!!!!!

H. P. Lovecraft is one of the best writers of horror fiction and has influenced many other writers such as Stephen King.

The bas-relief was a rough rectangle less than an inch thick and about five by six inches in area; obviously of modern origin. Its designs, however, were far from modern in atmosphere and suggestion; for, although the vagaries of cubism and futurism are many and wild, they do not often reproduce that cryptic regularity which lurks in prehistoric writing. And writing of some kind the bulk of these designs seemed certainly to be; though my memory, despite much familiarity with the papers and collections of my uncle, failed in any way to identify this particular species, or even hint at its remotest affiliations.
      Above these apparent hieroglyphics was a figure of evidently pictorial intent, though its impressionistic execution forbade a very clear idea of its nature. It seemed to be a sort of monster, or symbol representing a monster, of a form which only a diseased fancy could conceive. If I say that my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature, I shall not be unfaithful to the spirit of the thing. A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings; but it was the general outline of the whole which made it most shockingly frightful. Behind the figure was a vague suggestion of a Cyclopean architectural background.

Did I mention I love Dan Flavin's work......check this brief analysis that for sure will enlighten your way.

Outside painting and sculpture, few artists are more identified with a particular medium than Dan Flavin. After 1963, and except for his drawings and prints, Flavin's work was composed almost entirely of light, in the form of commercially available fluorescent tubes in ten colors (blue, green, pink, red, yellow, ultraviolet, and four whites) and five shapes (one circular and four straight fixtures of different lengths).

It was in 1962 that Flavin introduced his first experiments with electric light art: square monochrome paintings with attached fixtures and bulbs, which he deemed "icons." He used the term ironically in relation to its traditional religious context, explaining,

Dan Flavin is one of the most amazing American artists. Using standard fluorescent tubes, he was able to shape a room using light.